Clew focuses on the marriage tree in a Hindu temple in Durban, South Africa. The text discusses a Hindu ritual where young women wrap a tree with silk threads as a prayer to acquire a husband. The prose, printed in thin lines of red across a translucent paper, crosses over pulp painted commentary on both its front and back and makes connections between marriage and bondage / text and textile. The final sentence is printed on a hanging tag, which must be spun around in order to be read.